What makes an album cover great—or important? Obviously, a pleasing visual aesthetic is paramount, but of course, that’s subjective. Is the image unique? Does it undeniably grab one’s attention? Does it shock and stir, or does it simply please the eye?
Does it succeed as a complete graphic, as opposed to simply slapping some text over an image? Was it groundbreaking or relevant at the time, and has it wedged itself into our cultural memory to this day? This isn’t about the music or the act behind it—at least, that’s what we kept having to tell ourselves during this selection process. It’s strictly about the image. Even in a time when album art has been reduced from the expansive real estate of a vinyl sleeve to the 150-pixel icon on your Spotify stream, that cover still serves as a signifier—from an enticing vehicle for music discovery to the familiar ID in your saved favorites.
It’s still a vital part of the package. With that in mind, and after much deliberation, we give you our 100 favorites. Tortoise – It’s All Around You (2004). I don’t think this is anyone’s favorite album by the synth-tinged post-rock outfit Tortoise—many critics found it to be a mere shadow of their former works—but the cover for It’s All Around You is the one to rule them all. A slightly cropped version of a 1997 work by New York-based artist, this surreal depiction of Washington’s Mount Rainier composites facets of the natural landscape in an almost cubist manner, like a best-of brochure for the great outdoors that looms over the city.
Indeed, for those willing to look beyond our urban silos, the magic and beauty of the natural world is all around you. Interestingly, Mount Rainier’s volcanic activity and glacial ice threaten the entire valley at its feet, rendering its beauty ironically deceptive. Sadly, it’s an apt metaphor for the cover it graces. Take my advice: Enjoy this image, but then go listen to Standards.
—Monica Howe 99. Kavinsky – OutRun (2013). How do you follow up iconic album art like Demon Days? You could make another great album cover, or you could make another four like the Gorillaz did.
T-Pain-Lil-Wayne-T-Wayne.jpg' alt='Prodigy Discography Torrent Mp3 Tag' title='Prodigy Discography Torrent Mp3 Tag' />The atmosphere is not a perfume, it has no taste of the. Descargar Roxio Creator Plus Dell Edition Peters. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact.
The iTunes edition of Plastic Beach features four different covers, all showing the featured island in the day, evening, twilight and night. As with everything Gorillaz, there is more than meets the eye, and the album has a complementary video, which explains the creation of the plastic paradise.
—Chase Welcher 96. Carl Craig – More Songs About Food and Revolutionary Art (1997). Inventive, and exquisitely electronic, Craig goes his own way here and creates one of the most interesting electronic albums ever (I guess you can call it a techno classic, although I hate that term). The cover art has a statement from Jeff Sawell written in statesman-like script: “Revolutionary art is not determined by its avant-garde content, nor its formal or technical trickery, its interpretation of reality or its verisimilitude, but rather, by how much it revolutionises our thinking and imagination, overturning our preconceptions, bias and prejudice and inspiring us to change ourselves and the world” Declaration, indeed. —Dennis Kane 95. Fingers – Amnesia (1988).
The Ultramajic team is at the top of the game when it comes to aesthetic creativity in the electronic music scene. Not only is their design work in a league of its own, but their music catalog is fresh, different, and perfect for any techno or house head looking for something new. Label boss Jimmy Edgar’s Majenta has cover art that stands out for the imprint. A bald yet alluring, glowing feminine figure is illuminated in the forefront, with a majestic blend of purple and red in the background. On her forehead, her own image is repeated, creating a distinct and memorable illustration. —Joe Wiseman 92. The Cinematic Orchestra – Motion (1999).
Worlds marked a large turning point for Porter Robinson. It signaled a change from his bass-heavy music of the past (like his EP Spitfire) to his more alternative form of electronic music.
Worlds also signaled a change from live DJ sets to ones focusing on real-time sampling and live instruments for Robinson’s tour in support of Worlds. The cover art was done by David Aguado, who also did the cover for the single. Pioneer Ddj Sb Virtual Dj Mapper Download Google. Worlds features the signature 【=◈︿◈=】 symbol used by Porter Robinson, with a floating hand (similar to the one in the ) holding a cube, displayed against a backdrop of thin, colorful clouds. —Chase Welcher 90. The Chemical Brothers – Exit Planet Dust (1995).