A WMMS print ad by David Helton from early 1975 Since we’re commemorating the end of a this week, it’s only fitting that we turn back the clock thirty years ago this week and present a review of an equally tumultuous decade – Though decades actually end on their tenth year, which end in 00, following media began to review the prior ten years and observe the new decade a year earlier – so we did the same. For weeks leading up to the end of, the WMMS staff collected and compiled the music, the pop culture, and the newsworthy events of the seventies for a special presentation, which we ran at the end of the year.,,, and Al “The Bear” Koski provide the commentary. Though the original masters of the 1979 decade review were lost, we owe special thanks to one of our WMMS listeners, who prefers to remain anonymous, for taping and saving the original broadcast. The original special ran commercial-free for twelve hours on Sunday, December 30, 1979. Due to the, we cannot feature the music played during the special. Here it is for your downloading pleasure. We closed out with a project that became one of our crowning achievements, a contemporary version of.
And promotion and marketing director Dan Garfinkel scripted the adaptation from. Was Iggy Scrooge, and he played it to the hilt. Was his ghostly partner, steel magnate David Marley. Was Little Leo, played Matt the Crachit, and was Mrs. Cratchit, with as daughter Martha. The three spirits – of Christmas past, present, and future – were,, and Steve Lushbaugh.
Our “world’s greatest” receptionist for,, and corporate Verdelle Warren played Scrooge’s fiancee. Steve Lushbaugh,, and were various men about town.
Denny Sanders narrated. Guests from outside the staff included and. It was directed and produced by Jeff Kinzbach and Steve Lushbaugh. We recorded it during the busiest production time of the year and its recording and production had to be worked around the commercial production schedule, which, during the, was limited to late Saturday and Sunday afternoons and evenings. Since we hadn’t budgeted in advance for the project, no one could claim overtime for participating. Interpol Our Love To Admire Full Album Torrent. It was a true labor of love. The entire production was done with antiquated equipment and recording tape at our decrepit studios at, and took hundreds of hand-made tape splices to complete.
We called it a production of the Buzzard Theater of the Air, a satirical take-off on 1930s radio series, the. Murray Saul on A Christmas Carol My first thought is how much the production reflects the mood we’ve been talking about of all being on the SAME TEAM and enjoying it. From the Dan Garfinkel script to Jeff Kinzbach in the control room. Denny Sanders keeping his eye on the whole project. To call it a labor of love is not hype. Me, being Scrooge was a great kick.
It was very much like being in your high school play Buzzard-style. Denny Sanders on A Christmas Carol I remember that it was taped over two consecutive weekends in December, and edited on the third in time for broadcast on Christmas Eve, 1975. It was all manual cuts, and fly-in dubs from second and third machines. Here’s a story: In the final scene before Murray wakes up everything went quiet. There was a pause and then the next taped segment (waking up) was to be inserted. Because it was dead quiet, you heard the electronic relay click of the tape machine starting. I remember that this drove me crazy, so either Steve Lushbaugh or Jeff Kinzbach (I forget who) backed the tape way up, timed the insert, and rolled it early so that the click was buried in the music bridge just before it went quiet.
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